“If you had told me when I began that I would have my work on a museum wall, I would have thought, ‘What’s happened to civilization?’ ” says Daniel Clowes, the artist behind this week’s Science Fiction Issue cover, “Crashing the Gate.” A retrospective of Clowes’s work is on view at the Oakland Museum of California.
“It feels like I snuck in a museum through a side door somehow. For all the painters and sculptors I went to art school with, to slip into a museum through comics might seem very clever and dishonest.” He laughs. “But now that I’m at the top, I can only go down. it’s hard not to feel like, ‘They gave me my retirement party.’ A big career retrospective seems like a thing you should only get when you’re seventy-five or so.”
Daniel Clowes cover illustration for the science fiction issue of The New Yorker.
Selected for the National Medal for the Arts in 1997, the highest award given to artists, Rich refused it. “The radical disparities of wealth and power in America are widening at a devastating rate,” she wrote in a letter addressed to then-President Clinton. “A president cannot meaningfully honor certain token artists while the people at large are so dishonored.”
@McNally Jackson and @W W Norton in response to Facebook expanding trademark of “book”
(via Tucson ethnic studies protest - latimes.com)
An “underground library” run by librotraficante defies Arizona’s ban on Mexican American and other ethnic studies programs